‘Nacre’ @ Vidrart Gallery, Menorca, Spain

> NACRE’S WEBSITE <

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‘Snow White’

71x36cm / 28×14″

oil on wood

oli sobre fusta

óleo sobre madera

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frame | marc | marco

100x55cm / 29×21,6″

talla índia

indian woodcarving

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‘In Vino Veritas’

145x85cm / 57×33,5″

oil on wood

oli sobre fusta

óleo sobre madera

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frame | marc | marco

120x180cm / 47,2×70,8″

Mexican hand-carved frame, restored by the artist (XIX’s)

marc mexicá tallat a mà, restaurat per l’artista (S.XIX)

marco mejicano tallado a mano, restaurado por el artista (S.XIX)

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‘Retrodiva’

100x100cm / 39×39″

charcoal, acrylic & oil on cotton canvas

carbó, acrilic i oli sobre tela de cotó

carboncillo, acrílico y óleo sobre tela de algodón

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no frame | sense marc | sin marco

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‘Pescallunes’

100x100cm / 39×39″

charcoal, acrylic & oil on cotton canvas

carbó, acrilic i oli sobre tela de cotó

carboncillo, acrílico y óleo sobre tela de algodón

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no frame | sense marc | sin marco

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limited editions available

edicions limitades disponibles

ediciones limitadas disponibles

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‘Space Virgin’

165x50cm / 64×19,5″

oil on wood

oli sobre fusta

óleo sobre madera

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no frame | sense marc | sin marco

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‘Valkiria’

70x50cm / 27,5×19,5″

oil on wood

oli sobre fusta

óleo sobre madera

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frame | marc | marco

100x80cm / 39×31,5″

Spanish hand-carved cedar frame (XIX’s). White lacquered

marc espanyol de cedre tallat a mà (S.XIX). Lacat en blanc

marco español de cedro tallado a mano (S.XIX). Lacado en blanco

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‘Valkiria’

70x50cm / 27,5×19,5″

pencil, Indian ink & oil on Ingres paper over wood

llapis, tinta xinesa i oli sobre paper Ingres sobre fusta

lápiz, tinta china y óleo sobre papel Ingres sobre madera

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frame | marc | marco

100x80cm / 39×31,5″

Spanish hand-carved cedar frame (XIX’s). White lacquered

marc espanyol de cedre tallat a mà (S.XIX). Lacat en blanc

marco español de cedro tallado a mano (S.XIX). Lacado en blanco

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‘Perlita’

70x50cm / 27,5×19,5″

oil on wood

oli sobre fusta

óleo sobre madera

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frame | marc | marco

100x80cm / 39×31,5″

Spanish hand-carved cedar frame (XIX’s). White lacquered

marc espanyol de cedre tallat a mà (S.XIX). Lacat en blanc

marco español de cedro tallado a mano (S.XIX). Lacado en blanco

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‘Sant Joan’

138x62cm / 54×24,5″

oil & gold feaf on wood

oli i pa d’or sobre fusta

óleo y pan de oro sobre madera

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frame | marc | marco

142x122cm / 56×48″

original Spanish head of bed adapted, restored and waxed. Laminated ebony over teak, hand carving on wallnut wood (XVIII’s)

capçalera de llit espanyola adaptada, restaurada i encerada. Laminat de banús (‘moguin’) sobre teca, talla de fusta sobre noguera (S.XVIII)

cabecera de cama española adaptada, restaurada y encerada. Laminado de ébano sobre teca, talla sobre madera de nogal (S.XVIII)

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‘Connection’

70x50cm / 27,5×19,5″

charcoal & watercolors on Ingres paper

carbó i acuarel·la sobre paper Ingres

carboncillo y acuarela sobre papel Ingres

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frame | marc | marco

100x80cm / 39×31,5″

Spanish hand-carved cedar frame (XIX’s). White lacquered

marc espanyol de cedre tallat a mà (S.XIX). Lacat en blanc

marco español de cedro tallado a mano (S.XIX). Lacado en blanco

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‘Water Nymph’

70x50cm / 27,5×19,5″

charcoal & watercolors on Ingres paper

carbó i acuarel·la sobre paper Ingres

carboncillo y acuarela sobre papel Ingres

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frame | marc | marco

100x80cm / 39×31,5″

Spanish hand-carved cedar frame (XIX’s). White lacquered

marc espanyol de cedre tallat a mà (S.XIX). Lacat en blanc

marco español de cedro tallado a mano (S.XIX). Lacado en blanco

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‘Perlita’

70x50cm / 27,5×19,5″

charcoal & watercolors on Ingres paper

carbó i acuarel·la sobre paper Ingres

carboncillo y acuarela sobre papel Ingres

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frame | marc | marco

100x80cm / 39×31,5″

Spanish hand-carved cedar frame (XIX’s). White lacquered

marc espanyol de cedre tallat a mà (S.XIX). Lacat en blanc

marco español de cedro tallado a mano (S.XIX). Lacado en blanco

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‘Le Petit Prince’

130x64cm / 51×25″

oil on wood

oli sobre fusta

óleo sobre madera

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frame | marc | marco

176x100cm / 69×39″

framework from XIX’s console, restored by the artist. Laminated ebony over pine wood

marc provinent de consola del S.XIX, restaurat per l’artista. Laminat de banús (‘moguin’) sobre pi

Marco proveniente de consola del S.XIX, restaurado por el artista. Laminado de ébano sobre pino

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‘Astronude’

83x141cm / 32,5×55,5″

oil on wood

oli sobre fusta

óleo sobre madera

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frame | marc | marco

120x180cm / 47,2×70,8″

Mexican hand-carved frame (XIX’s), white lacquered

marc mexicá tallat a mà (S.XIX), lacat en blanc

marco mejicano tallado a mano, (S.XIX), lacado en blanco

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Now you can buy reproductions of the following works, printed in 100% Polyester 210 gr. Firesafe B1/M1. Canvas stretched on anodized aluminum frame of 35 mm. thick.

Click on the image to purchase a reproduction. Shipping from Barcelona, Spain.

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No Ordinary Love

153x76cm / 60x30cm

oil on cotton canvas

private collection, Spain (commissioned work)

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ZOOM IT!

(flash required)

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Painting Process:

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Group show @ London Miles Gallery

November 12th to December 6th 2010

London, UK

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This November 2010 London Miles gallery presents a themed group exhibition featuring a bold selection from the International Contemporary art movement.

Where contemporary artists hark back to the masters of past movements paying homage to what was not only inspirational to forming how they paint today, but to what has formed the whole epoch of creative output as we now know it.  For this ambitious project London Miles Gallery has hand picked a wide cross section of artists, from emerging British artists to newly established international artists.  All with the same goal; to pay respect to their elders.

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For nearly the past century the art world has been dominated by concept.  The concept behind art and what it is that makes art. Pushing the boundaries of theory and the plane of creativity. From the ready-mades of Duchamp to the consumerist nature of Hirst and the YBA’s, the aftermath and social turbulence of the First World War seemed to change the nature of art and the way it was to think forever.

With a new era comes a new generation of artists. A new generation, to progress and push the boundaries of what has come before. Each artist evoking a sentiment which has spawned from a product that has been inspirational to them, and thus helping them reach the technical magnitude and diversity never before seen in the art world. In a world dominated by controversy and rebellion, we propose a rebellion against the rebellion. Therefore by way of gratitude each artist has chosen a work that has moulded them into the artist that they are today. Be it from the pointillist techniques of Seurat in his  ‘Sunday Afternoon on the Island of La Grande Jatte’, to the groundbreaking take on chiaroscuro of Caravaggio, or the beautiful composition and design ethic of Mucha. Every artist, each with a distinct style of their own will take on the challenge of producing their own take on a work that has made them the artist they are today.

Featured Artists: Tiffany Liu, Plastic God, Stella Im Hultberg, Yumiko Kayukawa, Matthew Bone, Travis Lampe, Zoe Lacchei, Scott C., Scott Belcastro, Sergio Mora, Alex Young, Bob Dob, Joe Ledbetter, Lost Fish, David Marsh, Carrie Ann Baade, Tom Bagshaw, Luke Chueh, Carles Gomila, Xue Wang, Nom Kinnear King, Robert Marquez, Mike Bilz, Elizabeth Winnel, Jenny Bhat, 2H, Chris Murray, Ken Keirns, Justin Fry, Mad Steez, Kevin Earl Taylor and Ann Marshall.

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☩ Padme’s pearl earring ☩
41x51cm / 16×20″
oil on wood
London Miles Gallery, London, UK

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Painting process:

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November’s Juxtapoz -117:

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‘Eyes wide shut’

@ ‘Bath Art Affair’

Group show curated by  Fine Grime Gallery

from 7:30pm on Friday 12 November 2010

Booze, cofee and special guest DJ…

Set within the Gothic charm of the Walcot Mortuary Chapel at Walcot Gate, Bath, UK

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‘Eyes Wide Shut’, an exhibition of original art and experimental prints. Featuring the internationally renowned Sylvia Ji, Carles Gomila, Natalie Shau, Tom Bagshaw, Isabel Bannerman, Fran Williams, Ben Newman and Tom Lane.

An exhibition of darkly sensual and provocative art that’s sure to captivate and seduce. Set within the Gothic charm of the Walcot Mortuary Chapel at Walcot Gate, Bath. Bristol based Graffiti pioneer Brad MacMath takes residency and paints live at the Fine Grime Gallery, while horticultural deviant Isabel Bannerman’s exotic creations caress the walls of The Fine Art Print Company.

Sure to be a evening of wonder and delight from the beautiful to the macabre.

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☩ Water nymph ☩
100x70cm / 40×27″
oil on cotton canvas

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☩ Ultracandid Killers ☩
61x51cm / 24×20″
oil on wood

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☩ Beasts Tamer ☩
200x160cm / 79×63″
charcoal, acrylic, alkyd, egg tempera & gold leaf on jute canvas

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☩ Voyage Voyage ☩
200x200cm / 79×79″
charcoal, acrylic, alkyd & egg tempera on linen canvas

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☩ Baby Misterio ☩
20x20cm / 8×8″
collage, oil, gold leaf and Swarovski gems on wood

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☩ Meow! ☩
91x61cm / 36×24″
oil and gold & silver leaf on wood

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☩ Androgynous ☩
91x61cm / 36×24″
oil on wood

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☩ Vanilla & Pepper ☩
145x145cm / 57×57″
oil on linen canvas

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☩ Dollface Geisha ☩
66x55cm / 26×22″ (oval)
alkyd & egg tempera on old wood shield

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☩ Dragon Geisha ☩
50x59cm / 19,5×25″
collage, oil & copper leaf on wood

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‘Wonders & Strange Girls’

Solo show @ Christopher Hill Gallery

18th September 2010

1235 Main Street – CA 94574

St. Helena, California, USA

info@chgallery.com | 707 963-0272

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Opening 18th September 2010 – from 17:00h to 20:00h

Monday – Sunday from 10:00h to 17:30h, Tuesday closed

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Love is in the Hair

121x76cm /  48×20″ | oil, copper & gold leaf on cotton canvas

A naive and at the same fetish painting that borders the limits of the unchaste. The eroticism is always included in some form in the human figure, although it is best in its implicit than explicit form, suggested rather than described.

Inspired by Santa Magdalena. First it was painted naked and then wrapped  by hair and sheer fabrics. The title of the work alludes to the female hair fetish ( icon of Art Noveau ). Inspired of the song “Love is in the Air” by John Paul Young, a hit of the year Carles Gomila was born.

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Madame Julie, from Perlita Circus

61x61cm / 24×24″ | oil on linen canvas

Miss Julie came to town from Europe, aims to set up outside for a few days and present her collection of wonders, a cast that reveals a familiarity revealed by the uniqueness of each character. Curtain up, be attentive to their direction, Miss Julie will guide you in this unprecedented spectacle.

Profile of futurist and ’20s inspiration. There is little expression lines on the face to focus all attention on the smoothness of the neck and hair on the curvature of the skull, and the counterpoint of the geometric hair cut. A real character.

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Spanish Fortune Teller

122x122cm / 48×48″ | collage & oil on cotton canvas

Spanish Witch of the Order of the Flower: will condemn your soul if you do not buy her a flower.

Work inspired in the gypsies of the Plaza España in Seville. References to the old Spanish maters Goya and Velazquez with a touch of decadent French style bringing us, for a moment, closer to Ingres.

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French Fortune Teller

121x76cm /  48×20″ | oil on cotton canvas

This bust is a recreation of the enigmatic portraits of Monsieur Ingres. A French witch of the Order of the Flower. Femme Fatale who predicts the future leaking intelligence with its charms, more befitting a flapper girl than an interpreter of divination.

Heavily inspired by the work of Ingres, and a review of the aesthetic of the ’40s used in fashion and film. The composition is based on the solid counterpoint formed between the range of brown and blue.

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Make-up Goddess

145x145cm / 57×57″ | oil & gold leaf on jute canvas

India is the exaltation of humanity on a large scale: 16 official languages, 1,652 dialects and more than 2,000 castes, about 5 dominant religions, 500 ancient kingdoms and thousands and thousands of gods. So many gods, that may have one for each task, for each person and for each position. Gods sanctified secular issues such as cosmetics.

Inspired by kitsch culture so rooted in the Indian taste that is so comfortable in its motley sacred spaces.

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61x61cm / 24×24″ | oil on linen canvas

The clown is a transparent character who never practiced a pose. Borges said that for that reason, clowns are always sad.

The eyes have been exaggerated to suggest sincerity, while the background of thick red brushstrokes, reveal a psychology installed in the eye of the hurricane.

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Venvs Strikes Back

241x101cm /  95×40″ | oil on linen canvas

Botticelli adorned the naked of Venus under a waterfall of hair, dispatching the viewer’s imagination the idleness of solve the hidden parts, as the numbers in a sudoku. Now Venus would be born so brazen, fresh, gourmet fighter that cherubim  will cry of pure emotion, blinded by her great passion. Now, as always, Venus is still the coolest of Parnassus, home of the Muses.

Executed with cold and warm pastel colors, design inspired by the old cookies boxes. The effect aims to provoke the paradoxical sense of frivolous warmth. The radiant lines suggest wealth of contrasts and an outline of danger.

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Japanese Mouse

145x145cm / 57×57″ | acrylic  & oil on jute canvas

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Sea Goddess I

145x145cm / 57×57″ | oil & gold leaf on linen canvas

Every movement, every humble gesture is the projection of a skill that transmutes the goddess in an illusion, moving her away, for a moment, of  the modesty that comes from being just a pin-up. This goddess  born and die every day with the sun, her crown.

Inspired by the Pin-up and pop culture. The model used to do the figure remind us, however, the late eighteenth century. The tentacles are a wink to the ancient Japanese art that was so fond of installing these animals in erotic scenes.

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Sea Goddess II

200x160cm / 79×63″ | oil & gold leaf on linen canvas

Pirate Mermaid sailor eater.

The face is an interpretation of the model used in the eighteenth century lithographs.  The heraldic border that contains the signature is found on the Vatican doors, the crosses on his collar are a macabre way to count the number of sailors devoured by her.

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The French Lion

241x101cm /  95×40″ | oil on linen canvas

The French Hercules, wearing a lion fur and able to lift incredible  heavy weights.

A work entirely inspired by old study photographs. Has been painting mainly “alla prima” with a technique similar to that used by Velazquez.

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Snake Charmer

76x76cm / 30×30′ | oil & copper leaf on cotton canvas

Coming from a remote location from the Orient, this young beauty is able to fascinate the snakes to the point of confusion with their own movements. Beauty, danger and self-control: the three essential qualities for a femme fatale.

The background, with the crown, is an interpretation of the design of the labels of liquor bottles and cigars boxes. The hieratic character and  the kimono are Indian and Japanese inspired, and her face has the typical features of a humanized porcelain doll. Snakes in the head are a reference to the Greek myth of Medusa, that with just one glaze will convert  you in a stone.

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100x50cm / 39×20″ | oil and gold leaf on jute canvas

Oscar Wilde said that only sacred things deserve to be profane, and I would add also the opposite: only the profane worth to be sacred. Profane love, the wound of love transcended to religious icon.

Painted ‘alla prima’. The work was conceived with several planes and semi transparent layers, creating a depth of color and unusual texture.

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195x120cm / 77×47″ | acrylic & oil on jute canvas

The prosperous city of Atlantis did not sink.The mythic erratic whale  transported on its back the city of golden domes, to the ends of the earth, saved from its downfall, but it was to stay adrift forever

Exceptional work in the production of Carles Gomila, not being protagonist the human figure. Inspired by the story of Sinbad, where an island is revealed as a giant turtle

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Anatomy of Pagane System

241x101cm /  95×40″ | oil on linen canvas

Diva of paganism .Luxury, decadence, arrogance and power of thrive roses in the darkness. The Rebirth of Venus is the maximum projection of the classical values of art in the contemporary world. Aphrodite can not be born today as she did in antiquity, although it is still a goddess and appreciates a certain decorum in their presentation.

Inspired on French Art Noveau theater posters divas. Soft modeling but heavily circumscribed. The copper leaf wreath suggests the sun setting.

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Famous ‘W’ Brothers

220x140cm / 87×55″ | oil and gold leaf on linen canvas

Famous old acrobats, immortalized in their most glorious moment for a  luxury poster.

Inspired by the old study  photographs with and static pose. The work offers a wink to the look of Freddy Mercury and reminds us that despite all, ‘The show must go on’. the full name of the painting is “Wing Brothers”, and the signature is executed like the design of the labels of the boxes cigars.

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Sargantain

76x76cm / 30×30′ | oil on cotton canvas

Witch who casts a spell with four arms, two hands and a deep look overshadow us, two other hands secretly abduct and  reach the heart to the slightest slip. Beautiful and dangerous, as the most attractive and hypnotic things of this world.

The face is a hybrid between an adult and a porcelain doll. Deep green emerald remind us the coldness of a reptile, and the pink daggers a sweet effectiveness.

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Sessió I

Divendres 6 d’agost, a les 22:00h

Castell de Sant Antoni

Port de Fornells, Menorca

Sessió II

Dissabte 7 d’agost, a les 22:00h

Bastió des Governador (mirador de l’Ajuntament)

Ciutadella, Menorca

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Ink Butter
“The Art of Carles Gomila”

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IndiesArt

“Venvs Reloaded”

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Supersonic Electronic

“Carles Gomila”

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Collection of paintings executed by Carles Gomila & Blas García (painter and engraver)

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The Ship of the Madmen Suite

The Ship od the Madmen I

78x78cm / 31×31″

acrylic on wood

available @ Vidrart Gallery, Menorca, Spain

The Ship of the Madmed II

785x78cm / 31×31″

acrylic on wood

private collection, New York, USA

The Ship of the Madmen III

785x78cm / 31×31″

acrylic on wood

private collection, Spain

The ship of the Madmen IV

120x60cm / 47×24″

acrylic on wood

private collection, Spain

The ship of the Madmen IV

120x70cm / 47×28″

acrylic on wood

private collection, Spain

The ship of the Madmen V

91x44cm / 36×17″

acrylic on wood

available @ Vidrart Gallery, Menorca, Spain

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L’Elisir d’Amore Suite

l’Elisir d’Amore I

91x44cm / 36×17″

collage, acrylic and beeswax on wood

private collection, Spain

l’Elisir d’Amore II

91x44cm / 36×17″

collage, acrylic and beeswax on wood

private collection, Spain

l’Elisir d’Amore III

91x44cm / 36×17″

collage, acrylic and beeswax on wood

private collection, Spain

l’Elisir d’Amore IV

91x44cm / 36×17″

collage, acrylic and beeswax on wood

available @ Fine Grime Gallery, Bath, UK

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Pompeii Suite

Pompeii Triptych I

118x55cm / 47×22″

acrylic on wood

private collection, Poland

Pompeii Triptych II

118x55cm / 47×22″

acrylic on wood

private collection, Barcelona, Spain

Capital Tondo

55cm / 22″ diameter

acrylic and beeswax on wood

private collection, Poland

Parade

103x44cm / 45×17″

pencil, acrylic and beeswax on paper crafts (made by hand by the artists)

private collection, Poland

Acrobat

97x55cm / 38×22″

acrylic on wood

private collection, New York, USA

Tondo of the Centaur

55cm / 22″ diameter

acrylic on wood

available @ Summa Gallery, New York, USA

Daedalus, the young architect

133x65cm / 53×26″

acrylic and oil on wood

available @ Summa Gallery, New York, USA

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St. Joan’s Parade

30x78cm / 12×31″

acrylic on wood

available @ Vidrart Gallery, Menorca, Spain

Group Show @ Fine Grime Gallery, Bath, UK

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Vanilla & Pepper

145x145cm / 57×57″

oil on linen canvas

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Carles Gomila

Natalie Shau

Tom Bagshaw

Zoe Lacchei